Tuesday, June 29, 2010

VA-The "Lullaby, Lullaby" Compilation CD: I Listen Close (Eighty North/This Heart Plays Records, Sept. 1999)


(Cover front, back, inside, insert, CD top, CD play-side)







VA-The "Lullaby, Lullaby" Compilation CD: I Listen Close
------------------------------------------------------------------------------------------------


-Recorded by various artists at various times and places*

*The Microphones track was "Recorded to Mirah for her birthday, Sept. 1999"

-Release date: Unknown*

*I swear, so little info is out there about this CD. You'd never know it existed at all were it not for the "Song Islands" comp, or the fact that I am holding it in my hand. Based solely on my memory of when I first saw it and purchased it I would place it's release somewhere around 2001.

-Released by 80 North/This Heart Plays Records, no catalog number*

*According to the insert, which was a nice print on vellum, 80 North was in the process of changing its name to "This Heart Plays Records" at the time of this release, due to "some different people running it and others quiting". They list a web page here (www.geocities.com/thisheartplaysrecords) but, in searching for info I found it to be no longer in use. The insert also list a couple "upcoming" releases, one by The Badger King and one by Dave Longstreth, presumably pre-Dirty Projectors or at least at the very earliest of it's incarnations. I am assuming, based on the only other mentions of this label I can find (which are here http://usefulchamber.com/dirty-projectors-discography/) that this upcoming release was, in fact, the first DP release "The Graceful Fallen Mango" which was, at the time, considered to be a Dave Longstreth solo disc. And that's about all I can scrape up about this label or release timetable at this point in time.

-Here's an update to that web search, I stumbled across a new page for 80 North that seems to be more current- http://eightynorth.blogspot.com/

and the little I could find online:

http://www.answers.com/topic/lullaby-lullaby

There is a brief mention of the comp. on Dennis Driscoll's iTunes Music page:

http://itunes.apple.com/us/artist/dennis-driscoll/id413
79115

the google cache for this page shows some sort of info about the comp. but when you click on it, it's just some random guy's myspace page:

http://www.myspace.com/bastardboymusic

However you will note in this picture what I'm talking ab
out


-As far as I can tell this was only available on CD, no indication otherwise. Nor is there any indication how many were produced (I'd hazard to guess 500 or less) and there is no indication who designed to cover or packaging.*

And yes now that I'm updating this I've got a little back up on that. As you can see in the Google screencap above someone somewhere was claiming this thing had a print run of 500.

-IFPI number: 2F52

-It's worth noting that the track info is all mixed up when you put this CD into iTunes. For rhe most part the artist and track names were reversed.

-This song would appear in a slightly different form on the "Song Islands" CD

-There's a link to a zip of the entire comp. up in the downloads column.



................




And, ever onward with the "Song Islands" material. Here we have the "Lullaby, Lullaby" compilation CD from 80 North/This Heart Plays Records, circa 2000/1(?). This is another in a series of Microphones oddities I was fortunate enough to buy on a whim at the time that it came out. I remember, back in the day, at Newbury Comics, basically spending my entire paycheck on records as soon as I got it. I was the ideal employee in that way. But comps were always hard to pull the trigger on. The heartbreak of the completeist music fan, then as it is now. You know there's about a 90% chance that the songs by the couple artists you care about are not going to be anything great. But, there is the 10% of the time when you get a real lost gem (examples are escaping me at the moment) and that makes the gamble worth it. Still, it always comes down to that thing of spending ten to fifteen dollars for the sake of one song generally. Looking over the tracklist here, although it features a lot of good folks doing there steady best, it's hard for me to assume that I bought this for anything other than the Microphones track, which is strange since the time at which I would have got this was in my early, admittedly, trepid Microphones days (you know, like the time I had that copy of the "Blood" LP, limited to 300 copies, in my hand and said, eh, that's ok, I'll pass). But bought it I did, and thank God, because this seems to be one of the more impossible to find artifacts at this point in the Phil Elverum game.

To that end I am going to have to admit, once again, that I am not at all familiar with the rest of this comp, even though there are plenty of folks on it that I know to be plenty solid.

Anyway, here we have the original appearance of "I Listen Close", although, on the insert it is, in fact credited as "Listen Close", typo I guess. (Additional note on the insert, it is lovely and on vellum, which I am always a sucker for, and I have had a long history with this disc where I thought I had lost or misplaced the insert and thank God, for once, I have not. In coming to terms with my Phil thing it has become painfully clear that for me, in these cases, the artifact, the object is the thing. Usually I am only concerned about the music contained. But, for Phil, it is the whole actual recovered artifact, the entire anthropological piece.)

According to the liner notes for the "Song Islands" CD this song was recorded "to Mirah for her birthday, Sept. 1999" which makes it that much lovelier to me. And, speaking of "Song Islands", the version appearing on that CD is, though not credited, a different version than the one we get here. On "Song Islands" the track is 2:17 long and, around the :47 second mark, these pounding drums come in. The track continues on in this manner, ending in some ambient noise/wash and talking. As opposed to the version on this comp. which is only 1:28 long, features none of the pounding drums and simply comes to a close with some droning organ. I prefer this one. It's the one I came to know the song through I guess.
(--024)




Tracklist
----------------
I Am The World Trade Center-Istambul
A Boy Named Thor-Hello Hawaii
The Player Piano-Milwaukee Mile
Dear Nora-Round n' Round
The Love Letter Band-I Knew You Knew
Jen Turrell-Pink Edged Bright
Brett Stubbs-The Cliffs Are Red
Vehicle Flips-The Encouragable Optomis's Song Book
The Intima-Song For Drones
Mirah-Special Death
The Microphones-Listen Close
Dennis Driscoll-Saturday Morning
Audio Armada-Obertin
The Album Leaf-Inbetween Lines
Drawing Number One-After A While
The Plan B-After 5 Years
Park-Red Coat Charmer
Camden-Soliterror
Maya Shore-Restless Times
The Galactic Heroes-Dale
Wolf Colonel-Fashionably Left Behind
Denniss Driscoll-Lullaby, Lullaby













xo

Monday, June 28, 2010

VA-Projector, Another Studio Compilation CD: Wake Me Up (Yoyo Recordings, 1999)


(CD cover front, back, spine, part of the liner notes/insert pertaining to The Microphones, CD top, CD play-side)







VA-Projector, Another Studio Compilation CD: Wake Me Up
------------------------------------------------------------------------------------------------



-Recorded at various times and places by various artists*

*The Microphones track was recorded in April, 1999 at Yoyo studios with: Phil Elvrum, Jenn Kleise Erika Jacobs Dennis Driscoll, Khaela Maricich, Forrest Martin, Pat Maley, Alex Neerman, and Jason Powers

-Released October 26, 1999 on Yoyo Recordings (P.O. Box 2462, Olympia, WA 98507, www.yoyoagogo.com) (YOYO-CD12)

-As far as I know this was only available on CD.

-IFPI Number: Appears to have two, L533 on the silver, 9221 on the plastic inner groove. No idea what that could mean.

-Barcode info: 78956601226

-Number produced is anyone's guess. As usual, things like this I might be able to contact the label and find out, stay tuned. Yoyo was a pretty decently sized indie label at that time, in the scheme of Pacific Northwest labels, so I'd guess there were at last a thousand of these. Most likely more.

-It is worth noting that when you put this CD into iTunes some of the track labeling is a little wonky. Nothing important, just random capitol letters or missing spaces between words.

-Of random interest, in the liner notes it lists the Microphones contact info as KNW-YR-OWN 1717 Commercial Ave./Anacortes, WA 98221. The fine folks at that label were the ones responsible for putting out most of Phil's earliest (and, so far, unobtainable) cassette releases.

-This song would appear (same version) on the "Song Islands" CD

-There's a link to a zip of the entire comp. up in the downloads section.



...............




And still continuing with the "Song Islands" theme, here we have the "Projector: Another Studio Compilation" CD from Yoyo Recordings. This is the last, I believe, in a series of really killer comps from Yoyo that I had been following all through the late 90's golden age of indie rock (check 'em out for all kinds of great stuff by all kinds of great people "Throw", "Julep", "Periscope" and so on).

On this one we are treated to, among other gems, The Microphones doing "Wake Me Up", another in the confusing/confounding series of Phil songs revolving around slight variations in the same title, (ie: "Wake Me Up", "Don't Wake Me Up", "I'll Be In The Air", "You Were In The Air" etc...) It's a very pretty and very brooding and funereal song for Phil. There are some strings in the second half that really remind me, years earlier, of "Pyramid Song" by Radiohead (which I, alas, did not sequence this with on the original mix).

I am, again, shamefully unversed in the rest of this comp, but I am sure it is all really quite nice. I can at least attest to the appearance of the band Get The Hell Out Of The Way Of The Volcano, and I really don't know anything about their history other than that there is a really nice Microphones song that gets its namesake from their name and also that that band apparently consists of only Kaelah Maricich also of (the twisting and confusing history of) The Blow and Get The Hell Out Of The Way Of The Wave. These are all, apparently, the same, or very close to the same band, and she also has some close ties to Yacht. All of which I am not going to try to go into here. For the sake of this blog the important part is that she was pretty much a Microphones member/fixture all through the early/middle/elementary school chorus era.
And there it is.
(--040)





Tracklist
----------------------------------
The KG-X The Calender
Get The Hell Out Of The Way Of The Volcano-Bagfull Of Spiders
The Need-American Woman
C Average-The Weirding Way
IQU-Can't You Even Remember That? (Remix)
Mirah-Precious Little Rocket
Dennis Driscoll-I Like It
Lois Maffeo-Shame The Bells
Bluebirdsky-Lovely Loop (Instrumental)
Ashtray Boy-Koala Boy
Little Red Car Wreck-Rip Up The Carpet
Super Duo-Holiday
Rabbit Rabbit-Differential
The Microphones-Wake Me Up
The Drivers-Another Unknown
Eucalyptus-Barely Alive
Nova Scotia-Stop Motion
The Nervous System-This Planet's Mine
Lowdown, The-Saved By God
The Newlyweds-Stole
Loud Machine 0.5-Without You
Rebecca Pearcy-Pomegranate
Unknown Artist-Untitled














xo

VA-The Way Things Change (Volume 2) 7": You're Standing On The Ground (Red Square, 2001)


(7" cover front, back, vinyl and inner label front, back)







VA-The Way Things Change (Volume 2) 7": You're Standing On The Ground
------------------------------------------------------------------------------------------------



-Recorded at various times and places by various people*

*In the liner notes to the "Song Islands" comp. Phil writes: "...recorded nobody knows when" and I guess if he isn't going to hazard a guess, neither should I. Certainly sometime pre-2001.

-Released sometime in 2001 by Red Square Records (RSQ004) (4465 Spring Meadow Circle Flagstaff, AZ 86004/Jen Turrell@hotmail.com) (There is a website listed for the label, though when I tried to go to it, it appeared to be someone's blog all in, possibly, Chinese: rsqrecs.com. I even tried putting the site location into one of those online translators but it didn't seem to want to do it, oh well)

-Pretty sure this series was only ever released on vinyl (an ongoing series of maybe 6 7"s I think) with no corresponding CD collection of them. No idea the pressing numbers but I'd guess less than 500 each.

-Vinyl plays at 33 1/3 speed and is 180 Gram translucent orange/yellow. Inner groove info appears to be stamped rather than written (RSQ 04 MFG. CZECH/IOS 4 15-487-3444 A and B)

-No Insert.

-No indication who designed the cover or the inner labels on the 7" (It should be noted the sides are designated as C and D [rather than A and B] as this was the second record in the series. One assumed that the third records' sides would be labeled E and F and so on...)

-This song would appear (same version, though named slightly differently) on the "Song Islands" CD




...................................




Continuing with the "Song Islands" theme portion of this blog we have the Red Square "The Way Things Change" Compilation, Volume Two. This one, as you can see, is pressed on lovely orangey yellow wax, and it's heavy! I mean, this has to be 180 gram which is quite the anomaly for a little label putting out a tiny comp series of random artists. But hey, good for them! It's wonderful.

This is a really cool little label and, looking into their history
(http://www.discogs.com/label/Red+Square)
I realize now that the reason they ring a bell was that way back in the day, at Newbury Comics, I think it was my "friend" Matt J who was collecting these and, at some point, he made me a tape of all the ones he had, maybe 1-3, that I cherished a lot. I was particularly into the Jen Turrell track from volume 1. All of these comps come on this heavy vinyl and all different colors. As far as 7" series' go this one is definitely worth the time to track down and acquire.

Now, having said that, I will be ashamed to admit that I haven't even really listened to the rest of this. It's easy to see, just from the track list, that it's going to be lovely. You can't really mess with The Softies or Dear Nora. But, anyway...

Here we have "You're Standing On The Ground". Not, as it attributed on "Song Islands", "You're Standing On The Ground (Version)", though it is, in fact, the same version (no pun intended).

We can only guess at what differentiates this track from the "original version" seeing that, as far as I know, there has never been a release of the non-"version" version of this track.

It certainly has that "version-y" feel to it, as witnessed on The Moon 7" and the bonus tracks on the Glow Pt.2 rerelease LP. But, alas, like many pieces of Phil's legacy, we may never know.
(not featured on a mix, to date)


Tracklist
----------------
Side C:

The Softies-Hey Hey Girl
Mac Dare-Where Did All The Preppy Girls Go?
Park-Name On Container


Side D:
The Bright Lights-Fire Moon
The Microphones-You're Standing On The Ground
Dear Nora-Philadelphia













Additionally...
----------------------------------------------

Right around the time I was hearing The Microphones for the first time, but too early to really have them stand out for me, a then friend of mine, Matt, was really into this 7" series. He made me a tape of all of the volumes he had at that point, which I recall listening to and liking a lot. It was not until recently, going through tons of old cassettes that I found this tape and remembered it.

Obviously nothing to do with this release or Phil directly but I thought it ought to be added as a personal footnote, as far as my personal history with this release goes.



















xo



Tuesday, June 15, 2010

The Microphones: Feedback (Life, Love, Loop)/Weird Storm/Heavy Eyes 7" (The Bedtime Record, 1998)



(7" cover front, back, inside, record inner labels A and B)






The Microphones: Feedback (Life, Love, Loop)/Weird Storm/Heavy Eyes 7"
------------------------------------------------------------------------------------------------



-Recorded in 1998 at the Business in Anacortes, Wash. and Dub Narcotic in Olympia, Wash. by Phil Elvrum.

-Released on The Bedtime Record (BED06) (P.O. Box 9142, Chatanooga, Tenn. 37412) sometime in 1998. In an interview in Jimi Sharp's FIB zine Phil mentions that this 7" was going to be coming out "December '98, maybe".

-Cover art by Phil and Justyn Pogue. The liner notes (which are printed on the inside of the sleeve, no other, loose, insert*) say "the cover: snow in Anacortes, 1900/the chair: Justyn Pogue. And, as such, the art appears to be a collage of Justyn's very distinctive drawing style (we'll see it again, all over the "Don't Wake Me Up" LP) and what appear to be heavily xeroxed and re-xeroxed pics, presumably by Phil.

*Ok, turns out there is an insert that came with some copies of this record. It was just a little two-sided label insert (The Bedtime Record) , black and white, photocopied. I do not at the moment have a copy of this insert and if anyone does I'd love you forever if you'd make me a copy and send it to me. But, barring that it is viewable here in some pics I grabbed from someone's ebay auction.


-Other details of note on the cover of this 7". I read over on a brothers-in-arms site (http://getofftheinternet.wetpaint.com/page/Microphones+Singles+and+EPs), that the covers were all printed in black and white but, at some point, some of the people at the label decided to "personalize" most of them by scribbling all over them in various colored crayon, as seen here:


however, this was all done without Phil's consent or knowledge. No idea how many were colored and how many left un-molested. I seem to have lucked out and ended up with an unblemished, uncolored one.

-No clue how many of these were pressed. I would guess 500 or less.

-Record plays at 33 1/3 rpms on both sides.

-These songs (same versions) would all later be collected, in order, on the "Song Islands" CD.*

*"Feedback (Life, Love, Loop)" appears in several permutations. On the back cover it appears as "Feedback (the Loop in Life and Love)" on the actual 7" inner label it loses the qualifiers and picks up a colon, "Feedback: (Life, Love, Loop)". On the inside of the cover it appears as "Feedback (Life, Love, Loop) (no colon this time). Later, on the "Song Islands" CD, it would appear as simply "Feedback" on the back cover and "Feedback (Life, Love Loop) (no second comma) in the liner notes.

-Other details of note on this record:

The vinyl on this is black, but it's that very light vinyl that, when held up to a light, appears to be a sort of translucent brown. As seen here:


This is the first time we see Phil's trademark vinyl inner label design, albeit in a somewhat earlier design and in lighter shade than the usual "old book" yellow.

We are again informed that we should contact the fine folks at the KNW-YR-OWN label for more information on "the microphones".

The cover and the song credits both have the band name as just "Microphones", no "The". But the masthead on the vinyl inner label does indeed have the "The" attached.

The track listing on the inner sleeve literally reads:
Feedback (life, love, loop) with Weird Storm and then Heavy Eyes
(This is the same format that the track list for the "Bass Drum Dream" 7" had followed as well.)

There are a couple pages in Jimi Sharp's lovely FIB zine, issue #8, where he "interviews" Phil about his upcoming life plans and record release schedule and at that time he talks about having this 7" coming up and that he and Justyn will be doing the cover art. he mentions that the possible tracks to be included were "Feedback (Life, Love, Loop)", "Where it's Hotter" plus more. This comes on the heels of him discussing the 7" which will precede it, the one on Up Records. At this time he says that the songs that might end up on that one are "Bass, Drum Dream" and "In Sleep I Float Around" plus more. It is definitely worth noting that, in the conceptual stages this 7" was originally going to feautre, among others, what would end up being the b-side the the first Microphones 7" and that this 7" was originally going to feature, the as yet unreleased track, "In Sleep I Float Around".


And lastly, the inner groove on this record, in addition to the usual info (KNW-YR-OWN BED06A and B), appears to have someone's signature engraved. It is illegible and very short. It kind of looks like a cursive "mes".




.........................................................




As previously mentioned, I won this from the same kid at the same time as the first Microphones 7", what a day. And, as also mentioned, this is early Phil, but not all that early. Early enough that he's still doing that thing where he literally sings about microphones and equipment. "Feedback..." feels like the little sister of the "Tests" CD. It starts out with that same "science-y guy talks about the physical properties of sound" thing before dissolving into a low-key whispery song about microphones loving speakers.

"Weird Storm" and "Heavy Eyes", on the other hand, sound a lot closer to where he must have already been headed, the first "proper" Microphones album "Don't Wake Me Up". There's more of that pretty melody in a cocoon of noise and percussion thing happening here that will become so much more prevalent on subsequent releases.

And that's that pretty much. The inside and cover art looks a lot like Justyn Pogue's stuff in the zine which accompanied the original release of the "Don't Wake Me Up" LP. It also riffs really heavily on the cover of the previous 7", "Bass Drum Dream"/"The Storm" (in fact, it uses the exact same drawing of the weird cloud). I guess, to that end, "Weird Storm" might even be some kind of follow up to "The Storm".

Like all these releases I wish I could be providing the exact numbers of how many were pressed and in what format and so on, but, alas, that info seems lost to the pages of time. I'm gonna try to look into it as best I can.

As an inexplicable side note I will add that, at some point, while downloading some of these things on Soulseek, back in the day, I loaded a version of this that had a fourth untitled track. It's clearly Phil. It's about 1:17 long and it's just noise, a passage of sound. When I got the 7", however, I was able to confirm that this track is not on it. Where it came from or what it is I have no idea. It seems very likely that it's from some other Phil release and just mistakenly tacked onto someones files for this 7". If I can ever figure this out I'll be sure to update. For the record, while the three real actual songs from this 7" have been used in mixology, the phantom fourth song has not.

And there it is. I imagine, then as now, these records must have seemed cryptic, confounding and inscrutable. They are certainly time capsules, un-crackable by those of us not inside Phil's head or at least his circle of friends and patriots.

No insert, but there is info printed on the inside of the cover. Also worth noting, on the vinyl labels, under the band name, on each side are two of Phil's little extraneous exclamation/alternate titles. Though, in this case, they are not attributed to the songs, but, seemingly to the actual name of the band. Side A's says "Something's in my head" and Side B's says "Cover me up". A song with the name "Cover Me Up" would later appear on the "Windows" CD.
(--056, --016, --049)



Tracklist
------------------------
Side A:

Feedback (Life, Love, Loop)


Side B:

Weird Storm
Heavy Eyes






















xo

Monday, June 7, 2010

The Microphones: Bass Drum Dream/The Storm/Where It's Hotter Parts 1, 2 & 3 7" (Up Records, 1998)


(7" cover front, back, vinyl inner label A, B)








The Microphones: Bass Drum Dream/The Storm/Where It's Hotter Parts 1, 2 & 3 7"
------------------------------------------------------------------------------------------------



-The 7" says that this was "Produced by Phil Elvrum" so we must assume he did all the recording here. "Bass Drum Dream" was recorded at Dub Narcotic. Where it's Hotter was recorded at The Business. And there is something of a vagary concerning where "The Storm" was recorded.

-Released on Up Records (UP064) (http://www.uprecords.com/ P.O. Box 21328 Seattle, WA 98111). In the "Song Islands" CD Phil writes that this was released in 1998, however, on the vinyl inner label the copyright information says 1999. In the FIB interview with Jimi Sharp (issue #8) Phil states that this 7" is in the works and is coming out in December of '98.

-Cover designed by Justyn Pogue, using elements we would see again on the nest 7" (Feedback) and on the first Microphones vinyl LP (Don't Wake Me Up).

-No idea how many were pressed. Up was a pretty well-established label by this time but I would still imagine that this 7" was in the 500 copies or less realm.

-Record plays at 45 rpms on both sides.

-Vinyl is black, as far as I know, on all copies.

-Inner groove features the generic label numbering (UP 064-A and B) as well as some other designation on both sides which I have no idea about (L-50999).

-These songs (same versions) would all later be collected, in order, on the "Song Islands" CD

-Other details of note:

This is the first Microphones release on vinyl.

As with the second 7" on the cover there is no "The" it is only referred to as "Microphones" however on the vinyl inner label there is a "The".

As with the second 7" the track list literally reads:
Bass Drum Dream then the Storm, Where it's Hotter Parts 1, 2, 3

"Where it's Hotter" sometimes picks up and loses the "&" symbol. On the back of the 7" it is absent, however on the vinyl inner label it appears. It is also present on the liner notes to the "Song Islands" CD but absent on the back cover. Also the "parts" in the name changes from time to time. On this 7" it is written out as "Parts" both on the back cover and on the vinyl inner label. It is, likewise, written out in the "Song Islands" liner notes, however it is abbreviated as "pts." on the back cover.

Phil's contact info is again, as on all early releases, listed as KNW-YR-OWN 1717 Commercial Ave Anacortes, WA 98221)

This is one of the only Phil releases that does not feature his distinctive hand-drawn inner labels (I need to look into this but we may go as far as the very recent "Black Wooden" EP released as part of the "Latitudes" Series on . Instead we have the generic Up Records template. Talk about coming full-circle...)

As with the second Microphone's 7", this one was discussed briefly with Jimi Sharp for his FIB zine (issue #8). In this interview Phil is talking about his plans for upcoming releases. He says that he is going to be putting out a 7" on Up Records, possible featuring the songs "Bass Drum Dream" and "In Sleep I Float Around" plus more. He says the second 7" in the works will possible feature the song "Where it's Hotter" and others. But, as we can see, that song would be bumped up the b-side of this first 7" for reasons none of us will ever know.






..............................





In a real coup for my cause this (the first ever Microphones 7") and "Feedback" (the second ever Microphones 7") were won from one single lovely seller on Ebay for a song. Getting these two were sort of an early Holy Grail (although there are since many, many more much holier grails in their place, sigh). The fact that these are the first 7"s by Phil is something but is actually made much less in light of the fact that there are copious amounts of earlier, more primitive, releases than these. In fact, in light of that, listening to these now, they seem far less rudimentary and primal than they once did to me. This was already Phil a few steps up the evolutionary ladder.

All of the early hallmarks are there, Phil singing about the actual, literal equipment involved in recording "a drum set in the sky..." "bass drum making the sound wave...", the percussion heavy (lets not forget the fascinating fact that Phil kind of got started as a drummer) arrangements, weird samples and so on. But the seeds of where he's going are clearly visible, the beginning riffs of "Bass Drum Dream" sound like they are just dying to turn into "I Lost My Wind", "The Storm" is practically an excerpt from "The Sun" from the last Microphones album proper, "Where It's Hotter" sounds like it could be an early run-through of the ideas that would become "The Glow", et al.

It seems worth noting that "The Storm" is not actually credited as a song on the 7" itself and, even on the cover, it is sort of added as an afterthought to "Bass Drum Dream" ("...then the storm" maybe to declassify it as a song and make it more of an interlude, though later it would achieve "actual song" status on the "Song Islands" collection CD.)

No insert, any info here is either gleaned from the cryptic cover, the music itself or purely extrapolated.
(--029, --125, -123)



Tracklist
---------------
Side A:

Bass Drum Dream
The Storm


Side B:

Where It's Hotter Pts. 1, 2, & 3
















xo

Friday, June 4, 2010

The Microphones(' SINGERS): I Can't Believe You Actually Died/I'm A Pearl Diver 7" (Coming In Second Records, 2000)


(7" front, back, vinyl inner label side A, B, 7" pictured with insert)







The Microphones(' SINGERS): I Can't Believe You Actually Died/I'm A Pearl Diver 7"
--------------------------------------------------------------------------------------------



-Recorded in November of 2000 at Dub Narcotic, Olympia, Wash. by Phil Elvrum, Bret Lunsford, Dennis Driscoll, Ariana Jacob, Mirah Yom Tov Zeitlyn, Forrest Martin, Chris Sand, Calvin Johnson, Jenn Kliese, Jason Wall, Nate Ashley, Khaela Maricich, Amber Bell, Mike May, and "Karl Blau"*

*One assumes these usual suspects are the "Singers" referred to in the cryptic title here. Also, if anyone can tell me why Karl's name appears here in quotation marks that would be just so great.

**Update on that "Karl" questions. Ben helpfully commented below that he read "Karl" is actually a reference to an ancient tape-loop drum machine used at Dub Narcotic named "Karl Blau" in honor of Karl Blau himself. Ben goes on to guess that that is the source of the distorted drums in "I'm A Pearl Diver" and at the beginning of "I Want Wind To Blow" etc... Thank you, Ben! Much appreciated!

-Released on Coming in Second (CIS 012) (I've got two conflicting addresses here. The one on the 7" itself is: 1807 Division Ave. Boise, Ida. 83701. Then I see one on Discogs.com which may be more up-too-date [http://www.discogs.com/label/Coming+In+Second]: 1823 Atlantic St. Boise, Ida. 83705. May the best address win.). They have a website that has, at some point, apparently been "hacked" (cominginsecond.com).

-As is par for the course there is a serious lack of info out there about this release. No one is credited with the design or art, which is a lovely block print, I think. It is really reminiscent of a couple of Nikki McClure 7"'s K Records put out years ago. I remember them also being block printed and having this little, weird, fold-over edge to them. I even sort of remember them having this same dragonfly insignia. I'll get back to you on this. Probably just a coincidence or trick of memory.*

Ok update on this. According to the Japanese release of the "Song Islands" cd Phil did the artwork for this. Although I have to say there some little discrepancies sometimes between the info given on that disc and its US counterpart or the 7"s themselves.

-No idea how many were pressed, I'm guessing, as usual, in the 500 or less range, based on the size of the label.

-Record plays and 45 rpms, both sides.

-These songs would later be collected (same versions) on the "Song Islands" CD.*

*As with some other songs, the title for "I'm a Pearl Diver" appears in variant forms. On the back of the 7" and the back of the "Song Islands" CD, as well as the liner notes it is referred to by it's full name. However, on the vinyl inner label it is referred to simply as "Pearl Diver"

-The inner groove info is pretty run-of-the-mill, i.e. a corresponding label number and then a longer set of numbers that I have no idea what they mean (CIS-012-A and B, and then U-53168-M-A and B,). Additionally, on both sides there is what appears to be a little initialization or signature. Am I naive, is this like, a "thing" with vinyl pressing that I am not aware of? My apologies if it is/I am. The signature appears to be, on side A, a tiny overlaid "OI" and on side B a tiny overlaid "OS".

-Vinyl is black on all copies so far as I know.

-The only insert that came with this is a small black and white label catalog for Coming In Second (Winter Catalog). As of this writing I actually do not have a copy of this 7" with the insert and, in fact, did not realize until recently that such an insert existed. If anyone has one and feels like parting with it I'd be grateful. I'll get back to you on any further specifics about it when I get my hands on one.

-Other details of note on this record:

Inner vinyl label is in Phil's trademark style, not quite there yet but getting closer to hitting it's stride.

This is the first appearance of the concept of "Singers". Which, I guess, Phil sort of considers a subset/band from his proper project. Something slightly more collective maybe. Though he utilizes all of these people and their choral presence all over many of his recordings. For some reason, I'm assuming it was the recording circumstances, they here get a special billing (as they would later get their own actual "SINGERS" LP).

"I Can't Believe You Actually Died" is about Phil's friend Brandon Shafer (Leica Piranha). I do not know the details of his life or death and I am not going to even attempt to go further with that, out of respect to the parties involved. All I know is that he was a young, creative individual amongst like-minded friends, taken, in some way, too soon. In Jimi Sharp's FIB zone (Issue Twelverum) they talk briefly about Leica and this 7". Phil just saying that he had made this record as a tribute and sent it to Brandon's mother but had lost touch with her.

Not sure if "I'm a Pearl Diver" is related to that or not. It does, however, feel like an early progenitor of Phil's later, far-flung, two part story featured in "A Log in the Waves" and "I Whale".




....................................




This was one of the first ones I got this past winter when I started this ridiculous collecting thing in earnest. My first priority of business being to track down all of the records of all of the songs collected on the "Song Islands" CD (some of which, alas, I think I will go to my grave never having seen, like, oh you know, the ones where Phil himself doesn't even know what their on or if the comps they were supposed to be on ever even got released).

Not sure what the explanation behind the "Microphones' Singers" attribution is, other than that these two songs seem to be recorded in sort of the same spirit as the much later released "Singers" LP, ie a bunch of people in a room sort of improvising to what Phil is doing, i.e. all Microphones recordings? haha.

This record has the distinction of being home to the song which is the namesake and standard bearer of our floating, "eternal last" mix --Figure 8 Plus......(I Can't Believe You Actually Died)
It was an accident of fate that that turned out to be the subject song of the 8th and last mix of the first wave. Prophetic really, performing the last rights and elegy before any of us even knew there was soon to be a death in the family. I know this song and that mix are sometimes particularly hard for some of us ex-Bmax-ers and current KINGS' (More on all of that over at THE SEANCE, coming soon.)

This is one of those records where you look at it and the cover gives you a feeling that is not very like the music therein. The front has that weird Halloween feel and the back looks like the Microphones version of a Sailor Jerry tattoo. No insert, all the info is on the back. But really what do you need? These two songs, esp. "Died" are, once again, really high-water marks for The Microphones, and us, as Microphones acolytes.
(Figure 8 Plus [originally 008]/032)



Tracklist
---------------
Side A:

I Can't Believe You Actually Died


Side B:

I'm A Pearl Diver









xo

Tuesday, June 1, 2010

The Microphones: Moon, Moon/I Lost My Wind 7" (K Records, 1999)


(7" cover, front, back, vinyl inner label, A, B)







The Microphones: Moon, Moon/I Lost My Wind 7"
-----------------------------------------------------------------------------------------------



-Recorded "mostly in August 1999 at Dub Narcotic by Phil Elvrum, Khaela Maricich & Dennis Driscoll"

-Released on K Records as part of their "International Pop Underground" series. (www.kpunk.com) (PO Box 7154 Olympia, Wash. 98057) This is the International Pop Underground vol. XCV (#95).

-No indication who designed the art or the cover though it is worth noting that the front cover is very reminiscent of the "Don't Wake Me Up" LP and the back cover seems to riff on the the first press of the "It Was Hot..." LP.*

Again, it is worth noting that according to the Japanese release of the "Song Islands" cd the artwork was designed by Phil. Although there are a number of discrepancies between the info on that cd and other sources.

-No idea about pressing numbers. This was on K so I might guess that it was as high as 1000 or even 1500.

-Record plays at 45 rpms on both sides.

-All copies on black vinyl, as far as I know. Though again, this is that very thin vinyl which, though black, if held up to a light appears to be translucent brown.

-Inner groove info is standard label stuff (IPU 95 A and B)

-These songs would later be collected (same versions) on the "Song Islands" CD.

-Other details of note on this record:

Side A is credited to "The Microphones featuring Khaela Maricich". Side B is credited to "The Microphones featuring Dennis Driscoll"

Side B has an unlisted, untitled track that's about a minute long and is just noise, cymbals and drums crashing. (Thank you to Ben for reminding me of this track and the description, cheers!)

As in past releases, they are again, on the cover of the 7" referred to only as "Microphones", no "The". Though on the vinyl inner label they are referred to as "The Microphones"

Here we have the first full-on appearance of Phil's trademark inner labels. The color is there, the design and fonts are there. It's all in place, at last.




...........................................




This was another lucky early purchase in my Microphones career. This was, I think, one of the records that turned my opinion around about The Microphones. Up until then (more on this as we go) I think I thought of them as a formless, shambling indie rock mess. It was here that I finally got a glimpse at the tiny, fragile, songs and sentiments at the core of the mess. The first inkling of the elementary school chorus aesthetics of Phil. I remember this record spinning on a turntable in the Harvard Square Newbury Comics, going into my ears and my brain. Probably right before or right after the copy of The Microphones "Blood" LP I had in my hands and then passed up on then. This record, I can say, absolutely, with total recall, was the moment that I started to understand and like the Microphones. I had tried on earlier occasions. My first interaction was in Seattle, working at Orpheum Records (RIP) on Broadway on Capitol Hill. The "Tests" CD showed up and I gave it a spin and was unimpressed (stupid Brian) and there were some attempts in Boston after Nicole suggested I might like them. To me they were already cemented as nothing great, man was I wrong. Thank goodness I kept trying, and I guess that, in and of itself, is a testament to Phil and his beautiful looking records.

These songs have the distinction of being early soldiers in the mix war but also, sort of unsung, in their way. "I Lost my Wind" ended up being the secondary title song for mix 5 (it's original, as we will see soon, was "Karl Blau") and "Moon, Moon" has the distinction of being one of the first Phil songs to be incorporated in the mixes as songs but not as the title/focus of a particular mix.
(...is on mix 6, but not used as a title/005 [secondary title track])




Tracklist
---------------
Side A:

Moon, Moon


Side B:

I Lost My Wind
Untitled, unlisted track









xo